The glow of his campfire framed a simple tableau of pioneer life. Across this ‘untenanted land’, Edwin Brady mused, ‘little companies’, such as his own, sat by their ‘solitary fires’. ‘They smoked pipes and talked, or watched the coals reflectively’. Around them, the ‘shadowy outlines’ of the bush merged into the dark northern night, and ‘the whispers’ of this ‘unknown’ land gathered about. It seemed to Brady that this camp, this night, represented the ‘actual life’ of the Northern Territory as he had known it. But the future weighed heavily upon that quiet, nostalgic scene. The moment would soon fade, Brady reflected, as the ‘cinematograph of Time’ rolled on. It was 1912, and something new was coming.1 Read MoreFrontiers of the future

1. Edwin James Brady, Australia Unlimited, p. 570. [↩]